A walk through my head brings all sorts of memories. The lies that I tell myself so I maintain a sense of identity in spite of its irrationality. A cell is born in time and splits in two. My mind wanders and wraps in on itself.
Illusion, illusion, fount of all fiction. The outer world collapses and shatters into eternity.
Angel forms and rings orbit around each other to sing in distant fever songs. A somber portrayal, the shapes that shift all back and forth and replace me in my mind, cast their shadows on the water and rise and fall like the barrier of my breath as the world bears down on my chest. (Refracted through clasped hands, tumbling back into void. A filter through which I speak vedantic tongues. Am I not simply an array of patterns with grids of bodies in empty space biting at my heels like the ghost of the flame of god?)
Unrest made manifest like ancient threads borne of a barren loom, grim chance and shaky hands to tease knots from loose ends.
It drips down upon my memory. Old passages of time forgotten but yet remaining. Locked away deep within the varnished hull of my chest. Lurking behind every breath or just sitting, asleep and permeating my mind with restless waves of dreams, collapsing into puddles, bearing my reflection in their ripples like the answer to a riddle I’ve since forgotten.
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French Screamoの中でも2000年代を代表する存在、Daitroの2009年アルバム『Y』が2020年に再発! どうやら2000年代再評価の流れは止まりそうにない。だが当時の激情バンド達の扱いを思うとようやくその評価軸が定まったようにも思う。むしろDaitroの表現、Funeral Dinerの表現、そしてkillieの表現の根底に共鳴していたものが2010年代のポリコレ時代を経て価値を取り戻しているようにすら感じる。白か黒か、正義か悪か、その先にお互いが理解しあえる世界は訪れるのか?それは我々ひとりひとりの行動次第、それぞれの日々の蓄積。その一歩を歩み出すことだ。表現の根底にある思想、主張を音に落とし込む過程において彼らの進化は必然だったと思う。当たり前のメッセージを伝えるために、遠回りをしながら激情を振るいにかけていく。最後まで個人を信じる彼らの表現は美しく儚い。 MZTN
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