Years pass – notes fade and fall away. Days long erased – disease artist’s played you to waste. Listen and focus on old song forgotten. Teeth-rotting memory of a mouth-breather singing. B-side insecurities and sweating anxiously. Words once preferred now just empty space between lines. Lack of strength dictates my time. Wasting and wasted, waking to nothing. Pulling on my heartstrings – playing through my mind. Fingertips are bleeding – voice is shouting out, “Death’s sweating black-cloud raindrops down on me.” Chest is feather light – mind’s starting to lose. Instruments of time make the final move. Disease artist’s played you to waste – long erased. Magic tones crackling ancient twenty-three-year-old bones. Ghost muscle aching, pavement fitness failed weakens hopes. Drunk off the drinking that just spills out of my mouth and down to the floor. Stained carpet caked with every last stolen cigarette smoked when I’m bored.
supported by 17 fans who also own “Disease Artist”
Aggressive, intense, extreme music (punk, hardcore, metal) should be raw and bullshit free, stripped of self-indulgent "mood setting" riffs and arrangements to produce its effect. PUNCH and "They Don't Have to Believe" is a paradigm of this ethos 'par excellence' as they say. _teeth
supported by 16 fans who also own “Disease Artist”
French Screamoの中でも2000年代を代表する存在、Daitroの2009年アルバム『Y』が2020年に再発! どうやら2000年代再評価の流れは止まりそうにない。だが当時の激情バンド達の扱いを思うとようやくその評価軸が定まったようにも思う。むしろDaitroの表現、Funeral Dinerの表現、そしてkillieの表現の根底に共鳴していたものが2010年代のポリコレ時代を経て価値を取り戻しているようにすら感じる。白か黒か、正義か悪か、その先にお互いが理解しあえる世界は訪れるのか?それは我々ひとりひとりの行動次第、それぞれの日々の蓄積。その一歩を歩み出すことだ。表現の根底にある思想、主張を音に落とし込む過程において彼らの進化は必然だったと思う。当たり前のメッセージを伝えるために、遠回りをしながら激情を振るいにかけていく。最後まで個人を信じる彼らの表現は美しく儚い。 MZTN